Former FBI Agent Explains How to Read Body Language
Released on 04/23/2019
Non verbals are anything that communicates
but is not a word.
The public knows them as body language.
How we dress, how we walk, have meaning,
and we use that to interpret
what's in the mind of the person.
[dramatic music]
My name is Joe Navarro, and for 25 years
I was a special agent with the FBI.
My job was to catch spies.
Most of my career I spent within
the national security division.
A lot of it had to do with looking at specific targets
and then it was about well how do we get in their heads
and how do we neutralize them?
Our security is based on non verbals.
We look at the person through the peep hole,
we look at who's behind us at the ATM machine.
We know from the research that most of us
select our mates based on non verbals.
So we may think we're very sophisticated,
but in fact we are never in a state
where we're not transmitting information.
There's a lot of myths out there.
The ones that stand out is if you cross your arms,
that it's a blocking behavior.
That's just nonsense.
Even when you don't like the person that is in front of you,
this isn't to block them out, it's actually to self soothe.
Because in essence it's a self hug.
When you're sitting at a movie and you're watching,
you're gonna cross your arms.
You're waiting for somebody, you tend to do this.
What's interesting is we do this behavior
more in public than in private.
The other one that really stands out is
as we think about something we may look in a certain way,
as we process the information we may look in another way.
It's certainly not indicative of deception
and it really shouldn't be used that way.
All we can say is the person is processing the information.
The other misconceptions are that
if the person clears their throat,
touches their nose or covers their mouth,
they're lying.
We do these behaviors as self soothers,
they're pacifying behaviors.
Scientifically and empirically,
there's just no Pinocchio effect.
And people who prattle that and say
well we can detect deception because the person
touches their nose or covers their mouth,
that's just sheer nonsense.
We humans are lousy at detecting deception.
Espionage work is often nowhere near
what we see in movies, and in one of the cases
we had information from another country saying
you have an American we think is actually a mole,
who somehow entered the United States,
is able to pass as an American,
but he's here working for a hostile intelligence service.
And just fortuitously, he was videographed
coming out of a flower shop.
We're looking at the video and everybody in our small unit,
we were saying well there's not much there.
You know, he's coming out of the shop, getting in his car.
And I said, Stop the film right there.
Just as he came out of the shop
he took the flowers, and most Americans tend to
hold the flowers by the stalk so that the flowers are up.
This individual took them and grabbed the stalk
and then held the flowers so that they were facing down.
And I said, That's how they carry flowers
in Eastern Europe.
Rather than confront him about are you a spy,
I decided to do what's called a presumptive.
So as I sat there with him, I said,
Would you like to know how we know?
And he had this look on his face,
and I said, It was the flowers.
And then he confessed.
When I came into law enforcement
I thought it was all about the confession.
It's really about face time.
In my 25 years in the FBI,
it was a rarity that a person didn't
eventually reveal what I needed to know
because we would sit down and have these
very lengthy conversations.
I look at behaviors to do an assessment.
What is this person transmitting in relation to any stimuli?
My further questioning comes from
my observing these behaviors.
The first thing I look at is I look at the hair.
Does it look healthy?
Does it look well groomed?
The forehead is very interesting
because a lot of times we reveal stress.
A lot of the things that we have gone through life
are often etched in the forehead.
I look at the eyes to see if they're red
or not enough sleep.
The small area here between the eyes called the glabella,
it's one of the first areas that reveals information to us.
Most often, when we don't like something,
we do that bunny nose of I don't like.
We don't really know what our lips look like,
and we tend to compress them when something bothers us.
When something really bothers us we tend to suck them in.
The mandibula and look at the cheeks.
We may do something like this,
we'll rub our tongue against the inside of the cheek.
But when we try to hide it, then it tells me that
this person is trying to do some perception management,
and if they are I wanna know why.
At the neck, I wanna see if there's any head tilt,
because head tilt, the person is more relaxed.
The minute the head tilt goes away
there's usually some issue.
I'm looking at the shoulders.
You ask somebody a question and they don't know,
both shoulders shoot up very quickly.
And then I look at the hands.
When something's troubling us,
we tend to stiffen our fingers,
interlace them, and almost like a tipi,
we move our hands back and forth very slowly.
This is to be differentiated from when
we do the steeple, which we do in this position.
When something's at issue we tend to put our
hands on our hips and we become very territorial.
This is called arms akimbo.
But look at how it changes when we put her thumbs forward,
and then it becomes one more of I'm inquisitive.
But I also look for any behaviors of ventilating,
because men tend to ventilate at the neck,
and we do it the very instant something bothers us.
And then I look at the legs to see if there's
any brushing of the legs with the hands,
which is again, to pacify.
And then the feet.
Do I see any behaviors such as wiggling of the feet,
kicking of the feet?
If I ask a question and all of a sudden
the feet withdraw and are crossed,
perhaps the person feels a little
threatened by that question.
So when we study non verbals it's not about
making judgements, it's about assessing
what is this person transmitting in that moment?
It really is looking at an individual
and saying what are they transmitting?
We're all transmitting at all times.
We choose the clothes that we wear,
how we groom ourselves, how we dress.
But also how do we carry ourselves?
Are we coming to the office on this particular day
with a lot of energy, or are we coming in
with a different sort of pace?
And what we look for are differences in behavior,
down to the minutia of what is this individual's posture
as they're walking down the street?
Are they on the inside of the sidewalk, on the outside?
Can we see his blink rate?
Can we see how often he's looking at his watch?
I know your blink rate is around eight times a minute,
but you don't know that, you're not sitting there counting.
All these things factor in because they're
transmitting information.
Now it's up to us to then use that information
to say okay, we need to marshal resources
to be on that individual right now.
Hi, Mark, good to meet you, Hannah.
[Joe] So in most Western cultures,
the first time people touch is when they shake hands.
Touching becomes that important,
because we can always remember a time when we
shook hands with someone and we didn't like that.
It's also the first time when our bodies
release these bonding chemicals that say
I like this person or I don't like this person.
So hand shaking is both necessary
and essential in most cultures.
Pigeons are supposed to be like dirty birds,
nobody actually ever kept them as a pet.
Ladies, hi, I'm Joe Navarro.
Joe, I'm Laura, nice to meet you.
Laura, how are you?
And you are?
Hi, nice to meet you, Kateshia.
Kateshia, how are you?
I'm good.
[Joe] Let me ask you this.
Let's back up a little bit.
Is this comfortable for you?
Yes.
Yeah.
It's a little bit more comfortable,
but it's not for you is it?
Nope.
Alright, thank you.
Alright, so, keep talking.
What we've done here is we've talked about
the importance of space and comfort.
They don't is how much further apart they are now standing,
and it's because we have brought the subject up
to make them comfortable about saying hey,
it's okay to be comfortable at your perfect distance.
And so now we see when they rock,
they rock away from each other and they create this space.
If you notice, their feet tend to move around more.
There's a dynamic going on here,
where they're kinda trying to find
well what is the perfect space?
What is the perfect distance?
And we know that they're unsettled
because of the high degree of movement that's going on.
[Male] Check.
Poker's an interesting game.
The similitude of sitting across from a spy
or sitting across from players,
it's their reactions to a stimulus.
We have behaviors indicative of psychological discomfort
that we use at home, at work, or at the poker table.
So we're gonna take a look at poker players
and some of the body language that you'll find
at a typical poker game.
So we'll pause it right there.
So one of the things that you first notice
is that when a table is called,
this is the first time any of them see each other.
This is a great opportunity to be looking for
behaviors indicative of discomfort.
We're gonna see the individual shifting in his chair.
We're gonna see one individual reaching over
and grabbing his shoulder.
The woman in this case, her shoulders are rather high.
This is a great opportunity, even before the game starts,
to collect poker intelligence.
[Male] Alright guys, button is good.
Button is good, let's do this.
So we'll stop right there.
Look where their hands are at.
Here we're looking at player number two and number three,
and we notice right away that their hands
are on top of the cards.
Some players will cage their cards,
some players will put their hands
directly on top and press them down.
And they may do that because the cards
have now increased in value.
Player number one tends to keep his hands
very close to his body.
Player number four, she's actually withdrawn
her hands from the table, because when we like things
we tend to move our hands forward.
When we don't like things we tend to move the hands away.
This guy saw my cards.
So as we look at player number three,
I'm often asked about players who shuffle their chips.
What you're really doing is self soothing,
and this just helps you to make it through the game,
and that's really all we're looking for.
Oh come on!
Okay so we'll stop right there.
Player number five is sitting there, arms crossed.
You don't see a lot of activity.
That doesn't mean he's not transmitting
a lot of information.
On down the line, I wanna see where those thumbs of his are,
because he holds 'em very close when nothing's going on,
but does that change as the game evolves?
If you're looking at non verbals it's often useful
to look at 'em at double the speed,
because all the non verbals that are critical
jump out at you as though it were a caricature.
Alright, so stop right there.
The woman in position number four,
you see her head moving around quite a bit.
Player number three, you see a lot of
activity with his hands.
When we look at player number five,
now his hands are fully out.
This is as far as we've seen them before.
At this point we know that he's engaged
and that he's interested.
Now, the game is out in the open.
75 to 80% of the information we need is sitting out there.
What you often see is everybody's looking at their own cards
or looking at the community cards,
rather than looking around.
You should be looking around to see
well what was the reaction,
because you're gonna see that reaction again.
You know, in poker we used to say
that you can have a poker face
but I encountered you can't have a poker body.
Somewhere it's gonna be revealed.
When I was in college in the early 70s
there were really no courses on non verbal communications.
You quickly realize that to a great extent
it's really about what you can interpret from behavior.
And so we talk about non verbals because it matters,
because it has gravitas, because it affects how
we communicate with each other.
When it comes to non verbals, this is no small matter.
We primarily communicate non verbally and we always will.
Starring: Joe Navarro
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